Sheet Music – £ – The score for Tuba Concerto for tuba and wind band, by Edward Gregson. This work is dedicated to John Fletcher. Edward Gregson (born 23 July ), is an English composer of instrumental and choral music, Trumpet Concerto, Saxophone Concerto, Concerto for piano and wind · Blazon, Clarinet Concerto, Violin – Tuba Concerto (brass band version); – Tuba Concerto (wind orchestral version); – Variations on. Print and download in PDF or MIDI TUBA CONCERTO. Edward Gregson concerto for Tuba, composed in for famous British tubist John.

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His tuba concerto is memorably melodic and heavily but expertly scored a la Hollywood wide-screen.

The central climax of the movement triumphantly heralds the main theme from the full orchestra. The first is in a sonata form shell with two contrasting themes, the first rhythmic in character, the second lyrical.

Retrieved 13 February The orchestral version was made in but did not receive its first performance until when it was premiered by its dedicatee, John Fletcher, at the Scottish Proms in Edinburgh with the Scottish National Orchestra, conducted by Sir Alexander Gibson.

There he faced criticism for the appointment of Malcolm Layfield, previously a violin teacher at the College, to the post of Head of Strings, despite Gregson’s knowledge of allegations that Layfield had a history of sexual misconduct against students.

The Tuba Concerto was originally written in for brass band. Royal Academy of Music.

The second movement begins with a chorale, but after the entry of the tuba it leads to a cantabile theme, softly unfolded by the soloist. Edward Gregson has written a lot of music for brass-the Philip Jones Brass Ensemble recorded his brass quintet years ago for Argo-and he is comfortable with concerto form, as witness the fine Chandos CD of his clarinet and violin concertos. The concerto is in three movements, following the usual quick-slow-quick pattern: He was also principal of the Royal Northern College of Music.


He continues to sit on a number of Boards relating to music education and the music industry.

Tuba Concerto (Wind Band) (Score)

Programme Note The Tuba Concerto was originally written in for brass band. Tuba Concerto 3rd Movement Orchestral Version. It has been performed and broadcast in over 40 countries all over the world. There are two episodes: Download Programme Note Audio Samples: The concerto exists in three versions: By using this site, you agree to gtegson Terms of Use and Privacy Policy.

Download Programme Note Audio Samples: The first of these is a broad sweeping tune, the second is jazz-like in style with prominent solos for the clarinet and vibraphone in conjunction with the tuba.

There are currently six commercial recordings of the concerto in its various versions. After a short cadenza, reference is made to the opening of the concerto, and the work ends with a triumphal flourish.

He studied composition with Alan Bush and piano at the Royal Academy of Music from —7, winning five prizes for composition. The finale is light and breezy in style, and is cast in rondo form. Edward Gregson born 23 July[1] is an English composer of instrumental and choral music, particularly for brass and wind bands and ensembles, as well as music for the theatre, cobcerto, and television.

Edward Gregson – Tuba Concerto (Wind Band) (Score)

The first movement has a sonata form shell with two contrasting themes, the first one being rhythmic in character, the second lyrical. He was born in SunderlandEngland, in Allegro deciso, Lento e mesto, Allegro giocoso.

Each section’s required test piece was composed by Edward Gregson. After a brief introduction the tuba announces the main rondo theme, which is dance-like and a little jaunty. The concerto is in three movements, following the usual, quick-slow-quick pattern: His music has been performed by many orchestras and ensembles worldwide, including in the UK: Retrieved from ” https: Royal Northern College of Music Principal, — The Tuba Concerto has established itself as one of the main works yregson the solo tuba repertoire.


The opening chorale passage returns, this time briefly on muted brass, and leads to a middle section which is more chromatic in style and soon builds to a powerful climax, where the opening cantabile theme triumphantly returns. I have heard the jaunty I quite often but am less familiar with the brooding II and propulsive III with its surprising blues section.

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Concerho deciso, Lento e mestoAllegro giocoso. After a virtuoso cadenza reference is made to the very opening of the concerto before the work ends with a triumphal flourish.

The music subsides, returning to the opening chorale and ending peacefully. Views Read Edit View history. This page was last edited on 24 Novemberat Work Details Date of Composition: The second movement unfolds a long cantabile melody for the soloist, which contrasts to a ritornello idea which is announced three times by strings alone.

This excellent reading makes me realize again what a fine piece this is. Work Details Date of Composition: There is a reference made in passing to the Vaughan Williams Tuba Concerto, but this merges into the other material in the development section.

The last movement is in rondo form, alternating the main theme with two episodes. The programme ruba with the very agreeable piece by Edward Gregson composed in for brass band and heard here with orchestra.